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Post by Beelzebibble on Mar 21, 2016 10:50:38 GMT -5
God damn, that's some sexy music, especially the Ysane and Rie tunes. Both of your picks for my cast are fantastic, too.
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Post by Yoshimitsu on Mar 21, 2016 17:29:27 GMT -5
Crack!Fic Antonio?
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Post by Tout-Perd on Mar 23, 2016 16:42:52 GMT -5
Another shot at "Opening Theme for Terminer Academy", though this one admittedly skews heavily towards Cendra/my casts.
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Post by Tout-Perd on Mar 30, 2016 19:34:43 GMT -5
Theme for the Psymendjes/Cevahir Kutjime/the whole information war that's about to go down.
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Post by Tout-Perd on Mar 30, 2016 19:36:13 GMT -5
Ooh, they did a much more Pohatu friendly remix in a later game.
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Post by Loogs on Mar 30, 2016 22:39:45 GMT -5
in case anyone was wondering: this is what I've been spinning while writing a lot of the Sailor!Hector stuff. I've been spinning all of How Big, actually. Florence loves them nautical metaphors. it's a solid album
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Post by ch00beh on Apr 11, 2016 12:38:36 GMT -5
Listening to a bunch of old Kanye and this immediately made me think of Waylon. Probably because he's on a spaceship, not because he wants to eff up his manager.
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Post by ch00beh on Apr 18, 2016 14:32:12 GMT -5
Head Games' finale song
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Post by Beelzebibble on Apr 18, 2016 14:41:47 GMT -5
I'm glad we are in agreement about Little People because "Behind Closed Doors" is 100% my Rie jam
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Post by ch00beh on Apr 18, 2016 18:36:58 GMT -5
and to continue on, this has been my Harmony song.
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Post by Beelzebibble on Apr 18, 2016 21:14:06 GMT -5
Yes yes good
As long as we're jamming about Little People, have you heard his second album? Because Eminence Grise is fucking beautiful
Oh, wait, we can't just swap music for no reason in this thread. Um... This is definitely my headcanon music for... Bebeodan Thistledown.
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Post by ch00beh on Apr 18, 2016 21:32:51 GMT -5
ya i was listening to it while i was sitting on our work patio drinking tea it was gr8
ps. there are a couple tracks that are giving me some inspiration for the next installations in the Game saga, but I will not post them due to spoilers, and because i probably won't do the next one until LSR is nearing conclusion
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Post by Beelzebibble on May 3, 2016 17:24:20 GMT -5
I was having trouble figuring out Isara's leitmotif, until I remembered that Michael Gandolfi's "Themes from a Midsummer Night" exists.
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Post by Beelzebibble on May 9, 2016 12:59:14 GMT -5
Deandre deserves to work his way up to this track. It's a little more self-assured than my previous offering for him, but still has that quality of feeling suspended in place, on top of just being a gorgeous track with a very wistful, retrospective atmosphere, which suits him perfectly.
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Post by Beelzebibble on Jun 8, 2016 17:18:34 GMT -5
Flo (for some reason, harpsichord-like instruments always perk my ears up for her)
Hugh, trying and failing to hit on women
Flo & Hugh
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Post by Beelzebibble on Jun 17, 2016 0:05:28 GMT -5
House Leral takes action.
Bonus points for the name.
EDIT: Good fuck, a lot of this album gives me King's Men hype vibes actually, check out this banger. Not for House Leral specifically though.
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Post by AngelicTragedy on Jun 17, 2016 16:38:21 GMT -5
Damn man, this is an amazing find. Couldn't agree more with the choice.
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Post by Beelzebibble on Jun 29, 2016 12:54:08 GMT -5
Philip Glass reigns on as my god of Kingsmen hype.
This one strikes me as a good leitmotif for Kallista somehow.
These two from Akhnaten just put me in a Kingsmen mood more generally.
And if the bookending lines of this narration aren't already the Leral house words, they sure as hell would be if Isara were running the place:
Open are the double doors of the horizon; Unlocked are its bolts.
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Post by Beelzebibble on Jul 19, 2016 10:49:00 GMT -5
It's me back with some more Kingsmen hype from "Passages". Surprised? First off, we've got a killer Nadeshi/Opilia/Kalar generally piece here, I think. Secondly, I figured out something about a song I posted earlier that absolutely floored me. So there's this group Department of Eagles that Q put me onto. This song, "Around the Bay", has for a really long time been a personal Esther theme – it sounds like perfect music for her arriving in an unfamiliar place. A different Department of Eagles song, I love, but never particularly associated with RP. It's called "Sailing by Night". But listen to the section that begins around 2m36s in. Then listen to this section of "Meetings Along the Edge". Department of Eagles sampled this piece for "Sailing by Night"!! When I found that out, all the musical motifs in "Meetings Along the Edge" fell into place. It feels a lot like it could be the underscoring for a critical sequence toward the end of Kingsmen (though I know nothing about what's supposed to happen when that story reaches a pitch, so this is all just going by feel). 0:00: The insistent four-note motif that opens this off sounds like a motif for Sabriel, if this is all happening at a time when she's in danger. This motif recurs regularly to tie the other sections together. 1:16: This heavy melody sounds like one for Valon. 1:54: Nadeshi and/or Opilia here. This line gets repeated twice, and the second time, it's answered by the Valon motif, so I could imagine a confrontation between them here over Sabriel's safety. 3:06: Esther's theme. Probably something to do with Isara trying to keep her out of harm's way as shit goes down, only to lose track of her when Esther goes back to help. 3:55: From here to 4:57 there's a passage that's wonderfully enclosed by rising octaves at the beginning and falling octaves at the end. There's a sense of changing scale that makes this a natural Bebeodan section. In between is the heaviest actual melody, though, so this is probably some big shit. I would imagine she found out something serious and is calling somebody out over it. 4:57: For the last three minutes, it's a free-for-all as all five of those earlier motifs come back and overlap with each other. Enjoy choreographing it yourself.
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Post by Beelzebibble on Aug 24, 2016 11:01:02 GMT -5
Following on from the Natalie-Thyra post, here's another character+character=track. Somewhere along the line, Royksopp became my patron saint of Illiana music, with these two being the key tracks... ...and Williams' domain has always been stone cold grooves a la the following... ...so this track, which is a Williams jam at its core but spruced up with some Illiana-like electronic trills and arpeggios, would make a great theme for their relationship in its better moments.
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Post by ch00beh on Aug 31, 2016 0:04:27 GMT -5
Genlab 7's overall theme song
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Post by Yoshimitsu on Aug 31, 2016 16:38:48 GMT -5
It just feels like a Hector theme song.
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Post by Loogs on Sept 10, 2016 2:36:32 GMT -5
I don't think anyone caught this phase of my life but I used to be a really huge Radiohead fan. (I mean, I still am, I'm just not spinning it 24/7 anymore) I'm spinning Hail to the Thief again and remembered just how much I love this track.
Anyway, I went ahead and earmarked this as a Hector/Pleiades song. I believe Thom Yorke wrote this one as a lullaby for his son, and the message of the song is like a warning to the next generation to not repeat the same mistakes of the last one. Hector's made his share of them; I can easily imagine there's a multitude of cautionary lessons that Hector would want to impart to Pleiades.
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Post by ch00beh on Dec 24, 2016 19:44:28 GMT -5
if ish ever ends, this is my pick for the credits
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Post by Beelzebibble on Jul 11, 2017 10:11:09 GMT -5
I have a feeling this would work well as a motif for Pleiades, or any Loogs character who's into stargazing (which is, at last check... all of them? Yeah, all of them). Those electric waves that start coasting in a little past the minute mark... mm. Mm.
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Post by Beelzebibble on Jan 15, 2018 17:12:06 GMT -5
Terminer Academy.
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